MARCEL DUCHAMP : Musical Erratum + In Conversation

☆ご存知、あのトイレの人 !!☆
ニューヨーク・ダダの先導者Marcel DuchampのMusical Erratum (音楽的誤植) を収録したレア音源！
音楽的誤植は、ケージら数多くのアーティストに影響を与えたことでお馴染みですね。
本作は弦を弓引きした81年のドローン・ヴァージョンが収録されています。硬質な音の線が線画を描く美しくも恍惚の世界は圧巻！
30分程度のインタヴューを挟みアヴァンギャルド極まりない非音楽的な音符の羅列による点描的ピアノ作品も収録されていますよ☆
こちらも店長おすすめ !!!!



Tracklist
1 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Prepared Piano) 10:12
2 The Creative Act (Lecture By Duchamp, 1957) 7:23
3 A L'Infinitif (Reading By Duchamp, 1967) 4:02
4 Interview (Conversation With Duchamp, 1959) 11:03
5 Interview (Conversation With Duchamp, 1959) 21:20
6 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 1:03
7 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 7:00
8 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 1:17
9 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 3:40
10 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 0:18
11 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 1:08
12 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 1:28
13 Musical Erratum, La Mariee Mise a Nu Par Ses Celibataires, Meme (Piano) 1:23

Credits
Engineer ? Duncan Cameron (tracks: 6 to 13)
Interviewer ? George Heard Hamilton (tracks: 4, 5)
Liner Notes ? James Hayward
Piano ? Tom Feldschuh (tracks: 6 to 13)
Piano [Prepared] ? Kristine Scholz (tracks: 1), Mats Persson (tracks: 1)

Notes
Written in 1913, the Musical Erratum for piano forms part of the sequence of notes and projects which led to Duchamp's celebrated artwork, La Mariee mise a nu par ses celibataires, meme (The bride stripped bare by her batchelors, even, often called The Large Glass). La Mariee… is also the sub-title of the 1913 piano work. Abstract, elusive and even "inachievable" according to the artist, the Musical Erratum consists of two scores. In the first, notes are replaced by numbered keys, and virtuoso performance is discouraged in favour of novel mechanical instrumentation. The second offers a form of random composition, by which numbered balls are dropped into the moving wagons of a toy train. Famously, Duchamp described the whole as "a very useless performance, in any event." Two versions are included on this CD, including a conventional (but non-virtuoso) performance on piano, and another on which spinning rotary discs brush the piano strings to produce extraordinary tones.
("The Creative Act" lecture, and both "Interviews", are in english)